Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Elioth Gruner
Along the Sands

ID: 77257

Elioth Gruner Along the Sands
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Elioth Gruner Along the Sands


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Elioth Gruner

New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),   Related Paintings of Elioth Gruner :. | Tamarama Beach | Spring Frost | Mingoola Valley | Bondi Beach | Along the Sands |
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Jean-Baptiste Huysmans
Flemish 1654-1716
Eugene Fichel
(30 August 1826 Paris - 2 February 1895 Paris) was a French painter. He entered the École des Beaux-Arts in 1844 and became a pupil of Hippolyte Delaroche, but painted very much more under the inspiration of Jean-Louis-Ernest Meissonier, whose exquisite handling is suggested in numerous small canvases of his which by their refined technique and vivid action recall the characteristic intensity and directness of composition which belong to the painter of eFriedland.e Along with great care in finish, Fichel's canvases also exhibit an archæological exactness, and a kind of delicate humor. His first work of importance was exhibited in 1850, eHarvey Demonstrating the Circulation of the Blood to Charles I.e He was a chevalier of the Legion of Honor and, in 1857, received a medal for his painting in the Salon of that year. He exhibited a canvas every year at the Salon, up to a few years before his death.
Anna Elizabeth Klumpke
1856-1942 Anna Elizabeth Klumpke (October 28, 1856?C1942) was American portrait and genre painter born in San Francisco, California, United States. She is perhaps best known for her portraits of famous women including Rosa Bonheur and Elizabeth Cady Stanton (1889). Her father, John Gerald Klumpke, born in England or Germany , was a successful and wealthy realtor in San Francisco. Her mother was Dorothea Mattilda Tolle. Anna was the eldest of eight children, five of whom lived to maturity. Among her siblings were the astronomer Dorothea Klumpke-Roberts, the violinist Julia Klumpke, and the neurologist Augusta D??jerine-Klumpke. At age three, Anna fell and suffered a fracture of her femur. She fell again at age five and suffered osteomyelitis with purulent knee arthritis. It handicapped her, and her mother took extraordinary means to remeded the problem by taking Anna and three siblings to Berlin for treatment by Dr. Bernhard von Langenbeck. The treatments lasted 18 months, including thermal baths at Kreuznach, but unfortunately they were not successful, and she would remained hobbled all her life. While in Europe, her mother ensured that all of her children had excellent tutoring. The time away in Europe placed a strain on the relationship of her parents. When Anna was fifteen, her parents divorced. She and her siblings (now numbering five) moved with their mother to Göttingen, Germany, where they lived for a time with Mattilda's sister, who had married a German national. Anna and her sister Augusta were sent to school at Cannstatt, near Stuttgart. At age seventeen, the family moved to Clarens, near Lake Geneva in Switzerland where she spent two years in boarding school. She studied art at home for the next few years, and in October 1877, moved with her family once more to Paris, where she was later enrolled in the Julian Academy (1883-1884), under the tutelage of Tony Robert-Fleury and Jules Lefebvre. At one point she also studied under Vuillefroy. She presented her first work at the Paris Salon in 1884, while still at the Academy, and she won the grand prize for outstanding student of the year. She showed regularly at the Salon for several more years.






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